Don't Pay For Professional Photography!

by Paul Hands in , ,


Why You Shouldn't Pay A Professional Photographer.

They're too expensive.

It's only pressing a button!

 

Almost every business has a website now and almost all have some kind of visual marketing literature, be it a business card, leaflet or booklet.  A leaflet full of just text is such a visually boring document that doesn't have any reading appeal.  A website without any photographs, is considered as untrustworthy and in this contemporary world that we live in, it's rare to discover a business that doesn't use photographs or video for promotion.

You would be classed as pretty foolish to believe that photography was unimportant to your business.  When a business shows photographs of their company or products, your consumer / customers would make decisions based on the imagery shown on your marketing material and website.  It doesn't have to cost the earth to put photographs in your shop window for your customers. 

Paul Carvell, Managing Director - The SFB Group, Nuneaton.

I'd recommend hiring somebody that your friend recommended, because they make nice pictures and put them on Facebook.  They purchased a camera for Christmas and started up a Facebook Page to declare themselves a photographer.  You could hire someone like that because they paid for an expensive camera and that would save you some money and you'd still get some photographs for your business.  They've clearly watched a lot of Youtube videos and after all, they only only press a button, how hard can it be?  They're only photographs (that represent your brand, that show people what you think of your business and sell everything you offer)!

Just by analysing the context of that situation; As a business, you know that photographs are very important for your company website and marketing material.  You value your business so highly that you don't want to pay extra, if you can help it.  By hiring a cheap photographer in this way, you're paying someone that has had no formal training, they just bought a camera, which took very little skill.  I'd hedge bets that they couldn't even tell you why the photograph works or doesn't.  It's a bit like throwing mud at the wall to see if some sticks.  You're putting the whole marketing prospect for your business in to the hands of a cowboy that doesn't actually know anything about photography.  A few pretty pictures here and there and suddenly, they're gonna charge a business for their hobby.  

There's a reason schools, colleges and universities are teaching photography as part of the curriculum.  The reason is to provide the world with a group of professionals in that industry and through all of this evolutionary business progression, a businessman hires an amateur to promote their business.  Sounds like a joke doesn't it?

Marketing Imagery for Diabetes UK.

Can you begin to see why you shouldn't pay for a professional photographer yet?

If you hire a professional photographer, it will cost your business a good amount of money.  If you hire a pro. you'll pay more but you can be guaranteed that you will get the photographs you paid for.  They'll look great, they'll look clean and be in high definition.  Contextually the photographs will stand out and tell the right story.  They'll make your business look like you've paid for a professional, it will look like you care more about your business than saving a few hundred pounds.  It will look like you're a professional outfit.  You'll have professional images, so your output must also be professional.  Your business must be a good, solid and trustworthy company.

How can anyone imagine using that company down the road that has cheap pictures on their website, when your website and marketing material stands out by a country mile?

Mode Transport Planning Roof Top Garden

The main reason you shouldn't pay for a professional photographer like me is because the service costs a lot.  You'd get a fully insured professional.  Your work will be backed up for the next 12 months and beyond.  You will be able to communicate with ease your requirements.  I will understand what you want before you know completely.  I'll also know what you can't have, what's out of your reach and what you can have technically and creatively but more importantly, how to get what you do want.  If my camera breaks on the shoot, I'll just use my back up camera.  I'll have every bit of kit required for modifying the light for the photographs.  The business side of things will work much smoother.  You'll be able to hire me, know what you're getting, what it will cost, how long it will take and all of a sudden, your website and marketing material is working for you, it's pulling in new business because you now look professional.  I'm not saying you don't but can you imagine what you'd look like if you hired someone because they're cheap?

If you think it's expensive hiring a professional, wait until you hire an amateur!

I don't mess around, let's get straight to the point, if you need pictures and or video, get in touch.


PR Photographer, Midlands

by Paul Hands in ,


Public Relations Photography Midlands Service

All good leading brands need to self promote

How my PR photography service can help your brand?

I'll answer that question easily enough, I'm great with candid photography.  I'm a street photographer at heart and this genre of photography is a very fast paced pictorial style that can't be done well by just anybody.  The snapshot is often and incorrectly disregarded because of the quick nature in which they have to be created.  It actually takes great craft, skill and observational techniques that can only be grown by a practicing and experienced photographer.

Sajid Javid (Home Secretary) & Phillip Hammond (Chancellor of the Exchequer) at Morris Homes, Leicester.

The story is always the important part of the picture and in the image above, Sajid Javid who was at the time of this photoshoot, was the Secretary of State and Phillip Hammond who is still the Chancellor of the Exchequer.  They both visited Morris Homes in Leicester as part of a PR stunt aimed at boosting the new Homes England campaign by the government.  In this picture Hammond and Javid spoke with house building apprentices in one of the show homes.  They were genuinely interested in what the apprentices had to say.

I had to light this image with a speed light in order to bring out the details of the people with this being inside a fairly dark room (for photography).  The PR shoot was mixed and based both inside and outside, with me moving quickly between environments.  Many lighting factors had to be considered and worked around to get the images clean and crisp enough for professional usage.

Sajid Javid, Home Secretary, Public Relations Photography Shoot.

The above image was made outside and extra lighting wasn't required to get that candid feel.  Lighting always make everything look staged.  I was hired purposefully to create a documentary feel to the images.  

David Treddinick Politician Hinckley & Bosworth MP

David Treddinick visited an event that was held by Hinckley & Bosworth Borough Council at The Royal Arms in Sutton Cheney in the district of Hinckley & Bosworth.  The event was a celebration and event for the tourism industry, filled with many local businesses in the district like Twycross Zoo, Bosworth Water Park and Tropical Birdland.  I was hired at the last minute, and luckily I was available and always happy to cater for emergencies and urgent requirements.  

Employees at JJ Churchill Aerospace Engineering Ltd.

I was hired by a marketing agency to provide some pr photographs, product shots and studio styled headshots of the Directors for JJ Churchill Aerospace Engineering in Market Bosworth.  Churchill's required imagery for their website and also for some marketing material at a trade show.  This was also a last minute booking and I was hired urgently with a premium request for the turnaround of the images within 24 hours.  I provide an overnight service that helps companies complete their marketing needs at late notice and with precision.

 Diabetes UK, Type One Events.

Diabetes UK, Type One Events.

Diabetes UK booked me to provide documentary styled images that could be used for public relations and to help push focus towards their charity, hopefully gaining support, donations and convince parents to pay for their children to attend their type one events.

What ever your visual requirements are, what ever your budget is and whether you need still or moving images.  I can provide you a tailored service that gives you a service and product that meets your budget.

My diary is very busy but I do have spaces for new business, so if you have any pr photography requirements, then please don't hesitate to get in touch.  

I also provide services for:

  • Website Imagery
  • Marketing Photographs
  • Public Relations
  • Moving Image
  • Documentary Photography and Filmmaking
  • Corporate Portraiture / Headshots
  • Landscape Photography
  • Street Photography

The best thing to do if you think you might be able to use my services is to make a note of my contact details and / or just get in touch now.

 

 


Woodland Bluebell Photography Workshop

by Paul Hands in ,


Outdoor Woodland Photography Class, Leicestershire.

For people interested in learning to make better photographs using professional techniques.

Paul Hands BA (hons) will be running this course.

First of all, I'm an experienced photographer and filmmaker that has been running workshops for the past 5 years now.  My style is very relaxed and aimed at helping you to think for yourself and to discover a higher level of creativity that you didn't realise you had.

The fun part is we'll be walking around the woodlands at Burbage Common and amongst the Bluebells and making photographs that would be worthy of printing artwork for your own home.

Originally I had the workshop open for 7 people and now I'm closing 2 places to make it a smaller workshop with just 5 spaces.  This is so that the people booking on the course get more of my time helping them with their photographs.  Two spaces have already been booked, leaving 3 spaces, so if you would like to join us on this photographic adventure on May 12th for a few hours on a Saturday morning, click on the link below.


Sublunary - Alien Invasion of Planet Earth

by Paul Hands in ,


Fine Art Photography meets Visual Stories

Sublunary - Part 2

As a professional photographer, Father to the most beautiful little toddler in the world and Husband to an equally beautiful Mother; I find it difficult to get out and make personal work.

In 2017, I graduated from University with a High 2:1 in a BA Hons in Photography & Video degree at De Montfort University, where the idea for this project was born.  I began with a long period of time in the library, scouring art books and photographic archives, learning about who, what where, when, why and how specific bodies of work was made.

Surprisingly, I came across some painters and other Fine Art Photographers that worked in similar fields to my research.  One in particular that sticks out in my mind was Photographer Erasmus Schroeter and Painter Max Ernst.

Erasmus Schroeter (2005).

Max Ernst, (N.D.)

I was also heavily inspired by my lecturer (Kosovan) Lala Meredith-Vula who is a contemporary fine art photographer with international recognition.  Lala's ideas about my work and how to get the best out of me was first class and Lala's self confessed crazy mind was a perfect match for the project I had stuck in my head.  She knew just how to get me excited about my own work.

 Lala Meredith-Vula

Lala Meredith-Vula

 Lala Meredith-Vula (N.D.)

Lala Meredith-Vula (N.D.)

So the body of work for Sublunary began.  I created a series of landscape photographs that followed the narrative of an imaginary alien invasion of the planet Earth.  A tall order you might think?  I just needed the right level of inspiration and a camera.  At the end of creating the work for my degree, I put it all together in a short movie with a spooky sound track that I created myself.  You can watch that below.

I'm now about to embark on a much longer journey that will see me creating a whole new body of work for Sublunary Part 2.  I'll be using my experiences from the first part of the project and will be digging deeper in to my imagination.

Here's a sneaky peek at my first experiment for part 2...

Paul Hands (2018), The Mute.

This is called 'The Mute' and features a landscape photograph that has been manipulated in camera by myself.  I added the red light using the brake lights on my car and chose this location for the crazy tree that could be morphed in to any kind of other worldly creature.  The reverse side of the road sign represents having nothing to say, to be muted and to be stunned by the experience of an alien invasion.  You will see that I've also added a strange shaped metal frame on the right.  This represents an alien being and is the shape of a large humanoid or key hole.  It is hollow and appears invisible with the exception of the outer edges.

The scene is lit like a stage as if the play is being carried out and has undertones of humour, not to be taken seriously.  It's a project that I can literally play and have fun with.  I have a list of locations, that I've been building, so you can watch to see how this develops.

De Montfort University bought the first 5 prints of this project and hold them in their permanent art collection on campus.  You can also read more about this project here.

If you'd like to follow my work then you can subscribe to my emails (below) or follow my social media channels.


Where's the privacy line in Street Photography?

by Paul Hands in , ,


Can you cross a line when shooting street and is there an invasion of privacy?

 Man in the Painted Mirror (Hands, Paul. Paris, 2013).

Man in the Painted Mirror (Hands, Paul. Paris, 2013).

In the name of art and the right to record in public places, is the picture that I created in 2013 (above) morally right to create?  The laws in France do not allow people to make photographs of other people in public without their permission, yet some of the greatest photographers from the history books including Eugéne Atget, documented the Parisian streets but long before the laws were changed.

The high court judges altered the privacy laws in France, making it illegal to take a picture of somebody in public unless you have their express permission.  Prior to these changes, some of the most famous photographers in the world like Henri Cartier-Bresson and Robert Doisneau worked the streets, making pictures that would go on to influence the world and especially photographers interested in the genre of street photography.  Now today's photographers are strangled with red tape in France and have no chance to even emulate their heroes, that time has gone!

Henri Cartier-Bresson (1932, France).

Henri Cartier-Bresson (1932, France).

 Robert Doisneau (1931, France).

Robert Doisneau (1931, France).

In todays current climate, each of the three pictures from Bresson and Doisneau would be deemed illegal and wouldn't be allowed to be created.  Publishing them on social media and or in print would also be illegal.

In Britain, the laws are an opposing reflection of those in France, whereby you can make a picture of anybody and anything, as long as you're stood on public land.  The laws is so relaxed purposefully to allow room for realistic journalism.  If the laws became alike those in France, a new culture of suing photographers would arise and a realistic view of our world would disappear and you'd only see designed pictures with heavy influence from the photographer, giving a false view.

Recently, I practiced some Street Photography in my home town of Hinckley in the Leicestershire county of the UK.  I feel that my best work has always been in different cities around the world where I'm unknown.  The first image in this article was made by me in Paris and is completely against the French laws of privacy.  If the man in the picture ever discovers this photograph, it could land me in a little trouble.  

However, my home town Hinckley is not as busy as Paris and a lot of people know each other, the community is tighter than that of a city and it makes it harder for me to practice my love for this genre.  I have been out and made some pictures, not all good and some only close to ok because it's the hardest form of photography I know of.

I created the above pictures in the town centre with my iPhone and then shared them on my social media page for a social documentary that I've been building for the past 7 years.  The body of work is huge and covers the people, events and changing landscape.

My page is open for the community to have conversations around my photographs with me and with each other and there's no censoring of the communications.  A lady who follows my page commented "I would be absolutely devastated and fuming if I found myself on a photo I knew nothing about, but maybe that’s just me!" (Deborah).  This leads me to wonder whether it's just a lack of knowledge that makes people feel this way but at the same time, forces me to question the entire practice of street photography.

Just because we can, does it mean that we should?

Is making the photograph ok but sharing it on Social Media the problem?

Should the photograph be made in the first place?

Photography always raises questions and so it should!  Without the questions, we could just keep making pictures without ever knowing why.  It's the why that's the most important thing to consider.  What are the intentions?

Bruce Gilden (1988, Haiti).

A New York Photographer called Bruce Gilden is very well known in the industry for his style.  A style that will see Gilden jump in-front of passers-by, with his camera and flash, yes he used flash in strangers faces.  His style is so aggressive that you will even see some photographers curl their toes when watching videos of him.

The UK's very own Bruce Gilden is called Dougie Wallace, a current practicing street / documentary photographer has adopted a similar style to that of Gilden's.  Wallace is no sucker and is far from afraid of shooting in peoples faces.  His aggression is so high that even when confronted by people not wishing to have their photograph taken, he refuses to delete the picture, citing his ownership over it.

 Dougie Wallace (2016, London).

Dougie Wallace (2016, London).

Has the world lost it's way?

Why is everyone so offended by photography?

You see, I can't begin to close the questioning!

Another commenter on my pictures said "I agree with Isobel, taking photo's for your own use is fine, but publishing them on a social media platform is a different matter altogether. I know you say you would remove them if requested, but how would people know they are there . . . and if you've already put them on facebook or wherever, it's too late . . other people would have seen them." (Lin).

Lin makes a strong point in favour of not sharing the pictures on Social Media, although I feel that it is pretty much the only window to the world for a photographers work these days.  Traditionally, we'd use exhibitions. gallery spaces and printed books to show the work but nowadays, the work needs to have some kind of presence online before being seen in a show.  It's not the same in all cases but still, what other options are there?

Lucy said "If only people understood the "no permission is required" thing in street photography".

Lucy is right, the law states that we can make the picture if we're in public and the law believes that if you're out in public, how can you expect privacy?

In Britain, we're allowed the right to expect a certain amount of privacy, like if we're in our own homes.  You would think that we're safe from prying lenses.  Luckily we are and technically, if I stood on the street and pointed my lens in to your living room, I'd be legally in the right place but disrespectfully breaking your rights to privacy.

The law is not straight forward.  I'm a firm believer that as long as you have the right intentions and are respectful to those within your frames, make work that doesn't humiliate others, then surely there shouldn't be any objections, or strong ones anyway.

Paul Hands (2017, Birmingham).

Paul Hands (2016, Wirksworth, on a workshop with Paul Hill, Nick Lockett and Martin Shakeshaft.

 Paul Hands (2014, Paris).

Paul Hands (2014, Paris).

So of course, there's no line in street photography.   There's just peoples opinions and everybody is right, it's always a 6 or a 9!

People do have a right to some privacy but not really in the street where you're on public view.  Photographers have the right to make art but I believe with that comes a great responsibility because after all, we are dealing with the image of people and in these days, they feel that they need to be more stringent with protecting their own image.  Possibly an inflamed state of paranoia brought about by the media and national news items of identity theft.  Theft of this, theft of that, invasion of privacy is something that can only be enforced if your in private.

The article that I wrote and shared my street photos can be found on the Facebook page I spoke about earlier and read the comments, here... 

 

 

 

 


Can Street and Landscape Photography Skills be utilised for a Commercial Organisation?

by Paul Hands in ,


Commercial Photography in Leicestershire.

Can the skills gained whilst making personal work be transferred to a commercial client brief?

YES!

The end!

Well, not actually the end, this is the beginning and that was a bit gimmicky!

 Phillip Hammond and Sajid Javid visiting a Morris Homes building site in Leicester.

Phillip Hammond and Sajid Javid visiting a Morris Homes building site in Leicester.

The image of Hammond and Javid above was a picture that I made while on a recent PR photo shoot for The BJL Group and Morris Homes.  It involved working closely with The Treasury and working to a brief.  This was the cover image used for a blog written by Morris Homes and wasn't really on the brief they gave me.  

As an avid Street Photography fan and practitioner, this was a naturally easy type of shot to get for me.  The rest of the press group were a good 20 feet behind me.  I had a brief to work to and they were just collecting imagery, so I had a free run.  The government ministers walked very quickly and it was a cold February morning.  You can even see Phillip Hammond breathing out some misty air.  The shot isn't perfect but in this kind of situation, perfection isn't what's required, it's the story that counts and with the Morris Homes flags waving around in the background, it was just what they wanted but didn't know about that at the time.

 The SFB Group, Leicester

The SFB Group, Leicester

This picture above is of the building for one of my regular clients The SFB Group a nationwide firm of accountants.  It's all too easy to make a picture looking straight on at the building.  I wanted to create something that fitted with their branding which was quite dynamic, hence the acute angle.  This is loosely where landscape photography skills come in useful, I positioned the composition acutely to create a more interesting view of something usually very ordinary.  The angle has given the building form and made it look more three dimensional.

 David Treddinick meeting with the owners of Enchanted Bell Tents

David Treddinick meeting with the owners of Enchanted Bell Tents

The above picture uses Street Photography skills because it's candid and the people in the picture are unaware of my presence.  My intention was to follow my brief and collect natural looking pictures of the MP David Treddinick meeting local business owners at the launch of the new Bosworth Visitors Map at a special event held at Royal Arms in Sutton Cheney.

 A Street Photograph made in Leicester city centre.

A Street Photograph made in Leicester city centre.

 Street Photography in Leicester

Street Photography in Leicester

 Mirror Man, Street Photography in Paris.

Mirror Man, Street Photography in Paris.

 Commercial Landscape Photography

Commercial Landscape Photography

I've shared a small selection of my street photography to show the similarities to shooting reportage and PR work.  Also the landscape picture that I've included is more of a contextual play with the words and space in the frame.  The sign on the right reads 1 million square foot, so I've framed the image to include lots of space to insinuate that you can see 1 million square foot in the frame.

 Giant Chicken Tree, Leicestershire

Giant Chicken Tree, Leicestershire

I've included the picture of the giant chicken tree because I think it's cool.

I've crafted my skills over a long period of time, been judged, examined, won awards and gained a level 3 qualification, HND and a BA Hons in photography through creating this style of work.  I've figured out a way to transfer my skills to a growing client base, who are using me more and more regularly.  

My clients keep coming back to me and won't use anyone else now.  Assuming I can keep this up, yes, street and landscape photography skills are very transferable to a commercial client,.

The trick is to get deep in the minds of the commissioners to learn what they want and to identify with the brief.  Once the purpose is established, I can easily determine what kind of pictures to make and which style to use.

My images now appear on many company websites, marketing literature and newspapers online and in print.  

You can enquire with me about my availability or to get a quote for your business here.


Go Pro Commercial Documentary Filmmaking

by Paul Hands


Commercial Documentary Filmmaking.

Using the Go Pro Hero 4 Black.

The Go Pro is such a great versatile piece of kit that comes surrounded by lots of other gadgets and gizmos that support its use.  I currently use the Go Pro Hero 4 Black, which is about two designs old but still a marvellous magic box that records both audio and visual media.

Commercial Documentary Filmmaking UK

On a typical documentary film shoot, I'll possibly use a couple of DSLR's, tripods, motion supports, audio equipment, boom poles and microphones, plus a whole host of stuff that is only useful for very specific shots.

Recently on a film shoot for Hinckley BID (Business Improvement District), I was commissioned to shoot a short documentary styled film for their annual pancake race in the town centre.  Unless my client reads this blog, they'll probably never know how many problems I incurred during the shoot.  It's something that I stressfully attempted to conquer on set, on my own and in secret.  

I have chosen to use this particular Go Pro because I can connect it to my phone and use my i phone as the monitor.  On this particular shoot, I couldn't connect my i phone to the Go Pro.  This development occurred as everyone was gathering for the pancake race, which I couldn't delay because of my technical issues.  It began to rain heavily and this scuppered my ideas of getting out the DSLR's to film the races.  

So I filmed blindly!

I had ordered a Karma Grip but it wasn't due to be delivered until the following day.  I set up the Go Pro on top of a Gorilla pod and used it to hold the camera and point it towards the action, holding it at what I felt was the right angle.  I had no idea of the footage I was going to collect.  This is completely unprofessional but professional adaptation at the same time.  I messed up but still did the job without anyone knowing any different.

The beauty of the Go Pro is that because of its size, its easy to move around through large crowds like at a pancake race.  Also I had it contained inside the waterproof casing it comes with, allowing me to film in the rain.

The key to being able to produce a useable film for my client whilst creating in these conditions was the story telling techniques I used.  I employed some humour and some action to give the film extra hooks.  The real work came in the post production stage, where I had to sift through the footage and only use what looked ok as well as what worked together to tell the story.

Have a look for yourself...

If you'd like to see more of my film work, please follow this link.

Or would like to get in touch with me.


Home to Home

by Paul Hands in ,


Night Landscape Photographer England

Home To Home

This series of pictures are part of the experimental stage of what could potentially become a new project.

"I leave home and return, that's the single most repetitive thing I do".

The other night I left home to go and make a series of night landscapes around my local area between Hinckley and Coalville.  My search was for the unusual quirkiness surrounding our towns and villages.  Some man made and some natural with street signs, giant posters in the middle of nowhere and concrete bollards in-between such beauty in the landscape.


February News

New Clients:

I'm pleased to welcome new clients Hinckley BID, BJL Group, Morris Homes, ARO PR and Marketing and JJ Churchill on board.  

Also this month I'll be working on new assignments for two existing clients; Mode Transport Planning and the SFB Group.

More work will also be going in to the application to Grants for the Arts through the Arts Council for a major Environmental Portrait project I'm hoping to work on this year.


If you'd like to keep up with my news or get my blogs and pictures delivered to you via email, subscribe here.  Facebook are messing around with the algorithms for pages and a lot of Creatives are not able to share their art.  So this is one way for artists to stay in touch with the community.


Public Relations Photographer Hinckley Leicestershire Midlands PR

by Paul Hands in ,


Public Relations Key Visual Messages

A recently stage managed reportage styled shoot.

Working with the BJL Group Ltd. Morris Homes and The Treasury.

Homes England is a recently formed organisation by the Government to deliver a series of housing targets in the future for England.  They sent the current housing secretary Sajid Javid who launched the agency and Chancellor of the Exchequer, Phillip Hammond to meet with the top brass at Morris Homes; CEO Mike Gaskell and Dominic Harman at one of their large sites in Leicester where members of the press and the BBC were waiting to film and photograph the occasion.

Sajid Javid, Mike Gaskell, Dominic Harman, Phillip Hammond.

The shoot was carefully thought out with instructions from Homes England, The Treasury and Morris Homes PR to create a series of pictures that fits within their thought out narrative.  Each situation was managed with The Treasury tugging on our sleeves to end scenes and move on towards the next stages.  It's quite bizarre assignment in the sense that each creative was hired to give their skills and at great expense, to be directed from behind.

Prior to the arrival of the Government Ministers, each scene was walked through and discussed with careful planning on the direction of light, most preferred back drops and positioning.  In other words even the composition was almost curated before the event.

Morris Homes Leicester Development

Sajid Javid, Phillip Hammond, Three Apprentices

Reportage Styled Scene

CEO Mike Gaskell (Morris Homes), Phillip Hammond, Chancellor of the Exchequer.

On this type of shoot, there's usually a lot of standing around and on this occasion it was no different.  Finding things to do when they party is talking and you've already got a ton of good shots but waiting to move on to the next scene.

 Mike Gaskell, CEO Morris Homes.

Mike Gaskell, CEO Morris Homes.

If you're a PR professional and looking for a travelling PR Photographer around the UK, then please get in touch.


Photography Workshops in Hinckley

by Paul Hands in ,


Modern Digital Cameras have become computers.

On my workshops, I help my clients to understand how they can use their camera to make artistic photographs using their environment.  Recently I ran a low light urban photography workshop, moving around at night time safely with camera equipment in urban environments.

The following two photographs were made by clients.

© Sabatowski, Lukasz 2017

© Whitmore, Helen 2017

We should remember that cameras only do what we tell them to.

I feel that it's right we develop our creative minds and the best way is to free yourself and get carried away with making pictures that challenge you, is to put yourself in to a position where you're making photographs that you'd be proud to hang on your wall.

© Hands, Paul 2017

I'm running another workshop in January but this time an afternoon on Burbage Common, making landscapes and experimenting with pictures of the environment.

Limited places.

There's more information available below.

To purchase the above workshop as a gift, please click the button below and contact me as well as purchasing via the shop link (above) to let me know and you'll receive a PDF file that is printable for presentation.

During 2018 there will be a varied workshop programme that reaches some distant locations around the UK including some seascape workshops, rocky and hilly landscapes of The Peak District and city life street photography in several UK Cities.  

The best way to keep up to date with news of these workshops is to subscribe to my mailing list.