Here's What It's Really Like to Learn With Me

I Just Released a New Film for My Photography Workshops - Here's What It's Really Like to Learn With Me

I've just put a new hero film live on my workshops page - a short piece made up of glimpses from real workshops in Hinckley, giving you a proper feel for what a session with me is actually like. It's scored with an original piece of music, composed specifically for the film using AI, so nothing about it is off-the-shelf. Not the teaching, not the sound.

If you've been thinking about booking a photography workshop but aren't sure what one actually involves, or whether you really need one to get better, this post - and the film - should answer that.

Why I Made This Film

Most photography workshop pages read the same: a list of what you'll learn, a price, a "book now" button. None of that actually shows you what a session with me feels like. So instead of writing more copy, I filmed one.

Rather than a full walkthrough, it's a handful of small moments pulled from real sessions - a glimpse of reading light, a decision being made in the field, that moment where something clicks for a student. Short as it is, it says more about what a workshop actually feels like than a page of copy ever could.

Kevin attended 2 workshops, he loved the first one so much that he came back for a full 2nd day.

An Original Score, Not a Stock Track

I don't use stock music in my films - I never have, on weddings or anything else I produce. For this one, I worked with AI music generation to compose a track built specifically around the pace and mood of the film, rather than dropping in something that's already soundtracked twenty other photography videos on YouTube. It's a small detail, but it's the same principle I teach in workshops: don't settle for the default when you can make something that's actually yours.

Darren and Nat joined me for a full day for a 2:1 workshop covering landscapes, nature and wildlife.

Do You Actually Need a Workshop to Learn Photography?

This is the question I get asked most, usually by people who've watched a lot of YouTube tutorials and still feel stuck on Auto. The honest answer is that you don't need a workshop - you can teach yourself photography from books, videos and trial and error. Plenty of people do. But most people learning alone hit the same wall: they can follow a tutorial on shutter speed or aperture, but they can't tell, in the moment, in real light, in front of a real subject, why their photo still isn't working.

That's the gap a workshop closes. A tutorial can explain manual mode. It can't watch you set your exposure in front of a real scene and tell you, immediately, what to change and why - which is the difference between knowing the theory and actually being able to use it. That immediate, applied feedback is what most people are really missing, and it's what tends to make the difference stick.

An example of low light trails using long exposure, often conducted during an Astro Landscape Workshop.

What to Expect From a Session With Me

If you've never been on a photography workshop before, here's roughly how it goes. We start with your camera as it is - not a generic setup, but yours, with your settings, your gaps, your questions. From there we move to shooting in real locations and real light, working through composition, exposure and creative decision-making as we go, rather than sitting through theory for its own sake. Every session finishes with time in Lightroom, editing the images we've just taken, so you leave with a finished piece of work and a workflow you can repeat on your own.

Sessions run privately, 1:1 or 2:1, and are built around wherever you're starting from - whether that's picking up a camera for the first time or coming back to photography after years away and wanting to finally get past where you left off.

One of my earlier shoots, working with HRH Earl of Wessex - Prince Edward visiting an art college.

Who These Workshops Are For.

The people who get the most out of a session with me tend to fall into a few groups: beginners ready to move past Auto and start making deliberate creative choices, hobbyists who want the confidence to shoot with intention instead of guesswork, couples or friends who want to learn together, creatives returning to photography who are ready to rediscover their eye, and business owners who want to create their own strong visual content on their own terms.

Wherever you're starting from, the aim is the same: to get you shooting with real creative control, not just a slightly better grip on the settings menu.

With 14 years experience in freelance photography, I also do weddings and here’s my latest international wedding in Greece with Ollie and Kirsten.

Watch the Film, Then Come and Learn It With Me

The new film is live at the top of my Photography Workshops page, alongside the full range of sessions - from a one-hour Shadow Experience to the six-week Foundation Programme. If it's the first time you're seeing how a session actually runs, that's exactly what it's there for.

If you've watched it and you're ready to stop guessing your way through Auto, get in touch and let's find the right session for where you're starting from.

Even McDonalds have got me on their radar for PR commissions. I work with some global brands and my experience is so vast, you can’t fail to learn anything photography related from me.

Why the Best Wedding Films Start Long Before the Wedding Day

Why the Best Wedding Films Start Long Before the Wedding Day…

There's a question I get asked a lot by couples who are researching wedding filmmakers, and it usually goes something like this: "How do we know you'll actually understand us — not just point a camera at us?"

It's a fair question. And honestly, it's the right one to ask.

The answer isn't in a price list or a kit list. It's in the relationship that gets built before a single frame is shot.

Ollie and Kirsten getting married beneath a full moon in southern Greece with the Aegean Sea lapping against the shore behind them.

The film that started a year early

There's a question I get asked a lot by couples who are researching wedding filmmakers, and it usually goes something like this: "How do we know you'll actually understand us — not just point a camera at us?"

Ollie and Kirsten are a couple I'd already worked with before they came to me with their next project. They knew how I work. They trusted the process. And what they brought to me this time was something I hadn't encountered before.

They'd secretly married in Coalville, Leicestershire — just the two of them, quietly, without a soul knowing. For an entire year they carried that secret through family gatherings, nights out with friends, every occasion where the people closest to them had absolutely no idea.

Then they flew everyone to Thermesea Lodge in Greece. And they told them.

My job was to film the celebration — but more than that, to tell the story of the secret. The year of knowing. The reveal. The faces of the people in that room when they finally found out.

That's not a standard wedding brief. That requires a filmmaker who listens before they shoot, who understands tone, who can hold a dry comedic thread alongside genuine emotional weight — and who knows when to let a moment breathe rather than reach for the obvious.

My partner Elena Pavlova creating beautiful portraits of Ollie and Kirsten, while I did the filming.

Experience isn't just about years — it's about range

Any filmmaker can cover a ceremony and a first dance. What separates creative wedding filmmakers from the rest is the ability to read a couple and shape a film that actually sounds and feels like them.

Ollie and Kirsten's first film had a dry, deadpan quality to it — think Ricky Gervais rather than Hollywood romance. That tone didn't happen by accident. It came from conversations, from understanding who they are as people, from making a creative decision together about what their story deserved.

The Greece film had to carry that same DNA while opening up into something bigger — because this time, an entire room of people were experiencing something for the first time, live, in front of a camera.

Getting that balance right is what a decade and a half of experience actually buys you. Not just technical competence — creative judgment.

The dinner table and the scene of the Big Reveal on the night before their Greek Wedding

What couples should actually ask a wedding filmmaker

If you're in the process of choosing someone to make your wedding film, here are the questions worth asking:

Have you ever made a film where the story was genuinely unusual — and how did you approach it?

How do you decide on the tone and style of a film before you shoot it?

Can I see examples of films that are different from each other — not just technically polished, but creatively distinct?

The answers will tell you very quickly whether you're speaking to someone who makes wedding films, or someone who makes your wedding film.

Some of my answers to these questions are revealed here in this short film, which includes Ollie and Kirsten talking about The Most Romantic Love Story Ever Told and saying some nice words about my work for them…

The short version

The best wedding films don't start on the day. They start the moment a couple begins talking to their filmmaker about who they actually are.

If you're planning a wedding and you want a film that does more than document — one that captures the version of your story only you could tell — I'd love to hear from you.

Get in touch here — or take a look at my weddings page

Funeral Photography Across the UK — Paul Hands Photographer

Funeral Photography — An Honour, Not a Novelty

People often raise an eyebrow when they find out I photograph funerals. I understand why. It sits outside what most people expect of a photographer, and for a lot of people, a camera at a funeral feels uncomfortable at first thought.

Gathering at the Graveside

But here is what I have come to know after more than fourteen years behind a lens: funeral photography is among the most meaningful work I do. Being chosen for it — trusted with it — is something I treat as a genuine honour.

It takes a specific kind of photographer to work in this space. Not because the technical demands are extraordinary, but because the emotional ones are. Pointing a camera at people who are deep in grief, who are raw and present in a way they rarely are at any other moment in their lives, requires stillness. It requires a quietness of spirit that goes far beyond pressing a shutter.

I say this not with ego. I say it with precision, because I know exactly what it demands.

The Procession

A Multi-Faith Ceremony in Bedford

Last month I was invited to document the funeral of Dr Joy Matheiken in Bedford — a multi-faith ceremony for a man who, from everything I witnessed and learned that day, had lived an extraordinary life. A surgeon of international reputation, loved deeply by family and friends who had travelled from across the world to be there.

The Blessing

His daughter summarised the day better than I could:

"We are immensely grateful to Paul for his work during a painful and emotive event. As we had extended family abroad who couldn't attend the funeral, we wanted to have some visual memories to keep. Paul not only rescheduled a training event to accommodate our date, but also did a fantastic job taking all my requests to be non-intrusive for family and friends of different cultural backgrounds, some of whom were not accustomed to having a photographer at a funeral. Finally, the actual photos were beautifully candid and a wonderful collection for us to remember Dad and the day. Thank you Paul, and would highly recommend your services."
by Shevonne Matheiken

That review means everything to me. It describes exactly what I aim to achieve every single time.

The Last Journey

Almost Unseen

When I work a funeral, I operate almost invisibly. There is no directing, no staging, no intrusion. I move through a ceremony the way a documentarian moves through real life — present, observant, respectful of every moment without ever interrupting it.

The photographs that emerge from that approach tell the true story of a day. The quiet gestures between people. The light falling through a window at the right moment. The expression on a face that nobody else in the room noticed, but the camera did.

This is storytelling. It just happens to take place under the most difficult of human circumstances.

Coming Together

Why Families Commission Funeral Photography

The most common reason is geography. Families are spread across the world, and not everyone can make it to say goodbye in person. Photographs bridge that gap in a way that words rarely can.

The second reason is time. Grief changes memory. The details of a day — the people who were there, the flowers on the coffin, the expressions of love on the faces of the people who mattered most — begin to soften and shift within weeks. Photographs hold those details still.

The Committal

Held

Funeral Photography Across the UK

I offer funeral photography anywhere in the UK. Every booking is handled with complete discretion, and I work closely with families in advance to understand what they need from the day — and what they don't.

If you are considering commissioning funeral photography, I'd welcome a quiet conversation about how I work and what you are looking for.

Petals

Red and White

Kids Photography Curriculum — A Creative Skill Your Child Will Keep For Life

I've been teaching photography for 14 years. Here's what I've turned it into.

It's been a while since I've been in your inbox — so I'll keep this honest and to the point.

Over the past couple of years I've been quietly building something I'm genuinely proud of. You might know me from a jigsaw puzzle or calendar, or perhaps you came to one of my photography workshops. Either way — thank you. Your early support made it possible for me to keep going.

What I've been building is called PHARTED. Photo • Art • Education.

It's a photography education brand built around one belief: people don't fail at photography because they lack talent. They fail because nobody gave them a proper structure to learn from.

I've spent 14 years teaching photography to hundreds of students — all ages, all abilities, complete beginners to serious hobbyists. The same problems come up every time. Confusion. Overwhelm. Inconsistent results. So I've started turning everything I teach into structured digital products that actually work.

The first one is live now.

Kids photography Workshops

Introducing the PHARTED Kids Photography Curriculum

The Kids Photography Curriculum is a beginner-friendly downloadable course for creative children aged 8–14.

It teaches children how to use any camera — phone, tablet, or a proper camera — through simple lessons, fun challenges, and printable worksheets. Parent guidance is built in throughout, so you don't need to know anything about photography yourself.

What's inside the curriculum

  • 18-page PDF — structured and clear

  • Step-by-step photography lessons

  • Creative tasks and mini projects

  • Printable worksheets

  • Parent guidance for every session

  • Works with phones, tablets and all cameras

Who is it for?

This curriculum is perfect for children aged 8–14 who love art, nature, technology — or just enjoy taking photos on your phone. It's designed for complete beginners and gives them a solid creative foundation they'll carry forward.

It's also a natural first step toward our in-person PHARTED workshops and programmes, where young photographers can develop their skills even further.

How to get it

£19.99 — instant digital download. No subscriptions. No equipment pressure. Just a simple, structured start in photography.

👉 Click here to get the Kids Photography Curriculum

More coming soon for adult learners

If you're an adult who's always wanted to learn photography properly — from understanding your camera through to creative shooting and Lightroom editing — I'm building something for you too. Keep an eye out, or make sure you're subscribed below to hear about it first.

It's a photography education brand built around one simple idea: people don't fail at photography because they lack talent. They fail because nobody ever gave them a proper structure to learn from.

I've been teaching photography for 14 years. Hundreds of students, all ages, complete beginners to serious hobbyists. And the same problems come up every single time — confusion, overwhelm, inconsistent results.

So I've started turning everything I teach into digital products. Structured. Clear. Practical. Stuff that actually works.

The first one is already live.

🎒 KIDS PHOTOGRAPHY CURRICULUM — £19.99

A beginner-friendly photography course for creative kids aged 8–14.

It teaches children how to use any camera — phone, tablet, or a proper camera — through simple lessons, creative challenges, and printable worksheets. Parent guidance is built in so you don't need to know anything about photography yourself.

18 pages. Instant download. No subscriptions.

If you've got children, grandchildren, nieces or nephews who love being creative — this is for them.

👉 www.paulhands.co.uk/shop/pharted-kids-photography-curriculum

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There's more coming for adults too — I'll be sharing that soon.

But for now, if the kids curriculum sounds like something your family could use, or you know someone who'd love it, I'd really appreciate you sharing it.

Every sale genuinely helps me keep building.

Thank you for still being here.

Paul

Why Documentary Wedding Photography Might Be Right For You

Why Documentary Wedding Photography Is Perfect For Natural, Relaxed Weddings in Leicestershire

If you’re planning your wedding and the idea of being posed all day makes you uncomfortable, documentary wedding photography may be exactly what you’re looking for.

Bride, Emma looking at herself in her wedding dress for the first time

As a documentary wedding photographer based in Hinckley, Leicestershire, my approach is simple:

I photograph your wedding as it naturally unfolds.

No staged moments.
No forced smiles.
No turning your day into a photoshoot.

Instead, I focus on observation.

The laughter during speeches.
The nerves before the ceremony.
The chaos on the dance floor.
The quiet in-between moments that often mean the most.

Always looking for the humour - Wedding at Sketchley Grange Hotel, Hinckley

What Documentary Wedding Photography Actually Means…

Documentary photography is about storytelling.

Rather than directing the day, I blend into the background and anticipate moments as they happen. Years of experience allow me to recognise when something meaningful is about to unfold — and be ready for it without interrupting it.

This approach creates a gallery that feels real. Not manufactured. Not overly styled. Not repetitive.

Just your day — as it was.

But What About Portraits?

Choosing documentary coverage doesn’t mean you won’t have beautiful portraits.

If you’d like a short, relaxed session together, we’ll keep it simple and efficient. No long posing sessions. No awkward instructions. Just natural images that still feel like you.

However, if you’re drawn to more crafted, editorial-style portraits alongside documentary coverage, that’s where P&H Visionaries comes in.

With Elena Pavlova joining as a dedicated portrait specialist, P&H offers a two-creative approach — blending natural storytelling with intentional, guided imagery for couples who want both authenticity and a more polished aesthetic. P&H is also the route for couples who want dedicated cinematic wedding film alongside photography.

You can explore that option here:

P&H Visionaries

Portrait with P&H Visionaries

Is Documentary Wedding Photography Right For Every Couple?

Not always.

If you’re looking for heavily styled imagery, dramatic lighting setups, or long directed portrait sessions, a more editorial approach may suit you better.

But if you value authenticity, atmosphere, and honest storytelling, documentary photography allows you to stay present with your guests while your story is preserved quietly and professionally.

Wedding Photography in Hinckley & Leicestershire

I photograph weddings across Hinckley, Leicestershire, and the wider Midlands. Whether you’re planning a small registry ceremony or a full-day celebration, documentary coverage ensures the emotion and atmosphere of your wedding are reflected naturally.

If you’d like to check availability or explore collections, you can view full details here:

Paul Hands Documentary Wedding Photography

How I Delivered a 5-Star Corporate Headshot Session in Just One Hour

Corporate Branding Photography for a Local Financial Firm – A Behind-the-Scenes Look at a 5-Star Experience

When a client leaves a thoughtful Google review, it means a great deal. It shows they didn’t just enjoy the photos — they valued the experience enough to log in, reflect, and share their feedback publicly. That’s exactly what happened after a recent corporate branding shoot for a local financial firm.

Bryony Evans – BA (Hons), Chartered MCSI
Director & Independent Financial Adviser

⭐⭐⭐⭐⭐ Google Review

Bryony Evans – BA (Hons), Chartered MCSI
Director & Independent Financial Adviser

“Paul was great, professional, timely and full of ideas and willing to go to extra lengths to get the best shots and in the perfect environment.”

Paul Eason - Director and Financial Advisor

The Brief

The firm needed fresh headshots and team photographs but had a very limited amount of time. Their staff usually work across two locations — Market Harborough and Warwick — but were all gathering in Rugby for their Christmas meal. We had a one-hour window to capture everything professionally and efficiently.

The Challenge

The shoot required:

  • A central location

  • Fast setup

  • Consistent lighting and styling

  • Smooth direction

  • Zero delays

  • A quick turnaround for delivery

With everyone travelling to a single point, the session had to run precisely on schedule.

Jon Stephenson, Financial Advisor

The Solution

To keep the entire process hassle-free for the client, I organised the full setup:

  • Sourced and booked a suitable office space in Rugby

  • Arranged the meeting point and prepared the room in advance

  • Set up a professional lighting layout tailored for streamlined headshots

  • Directed the team clearly to keep the session flowing

  • Captured all required headshots and team images within the hour

Once the shoot was complete, the team headed to their Christmas meal while I packed down and returned to begin editing.

Jane Rye, Client Services Manager

Premium Turnaround

They needed the final images quickly for internal and marketing use, so I provided a 7-day premium delivery. This included:

  • Polished corporate headshots

  • Team photographs

  • Clean, consistent colour grading

  • Files optimised for both print and web

A Professional, Stress-Free Experience

Branding sessions with multiple staff can easily become chaotic if not tightly managed. By handling the logistics, organising the environment, and running an efficient workflow, I ensured the team could simply arrive, be photographed, and continue their day without disruption.

Their 5-star review reflects that smooth experience.

Ready to Book Your Corporate Branding Session?

If your business needs modern, professional headshots or a full branding shoot, I offer flexible on-location setups, structured direction, and fast delivery options to keep your day running smoothly.

Get in touch to check availability or discuss your requirements.

Ready Money Investments Ltd.

How to Finally Understand Manual Mode (Without the Overwhelm)



If you’ve ever switched your camera to M, taken a photo, and instantly switched back to Auto… you’re not alone.


Manual mode feels intimidating because most people try to learn everything at once. That’s the mistake.

Here’s the simplest way to understand manual mode — properly — without feeling overwhelmed.

Step 1: Forget the Exposure Triangle (for now)

Most beginners start with the triangle, and it’s the worst place to begin. You don’t need a triangle. You need clarity.

Manual mode is just three decisions:

  1. How bright or dark you want the image

  2. How blurry or sharp you want the background

  3. How frozen or blurry you want movement

That’s it. Everything else hangs off those three decisions.

Step 2: Aperture = Background Blur

If you want a blurry background → choose a small f-number (f/1.8–f/4).
If you want everything sharp → choose a bigger number (f/8–f/16).

That one choice controls the entire look of your photo.

Step 3: Shutter Speed = Movement Control

Want to freeze action? Use faster speeds (1/500+).
Want smooth water or motion blur? Slow it down (1/30 or slower).

Step 4: ISO = Light Rescue

If the photo is too dark after choosing aperture and shutter → increase ISO.
If it’s too bright → lower ISO.

ISO is your “brightness top-up”.

Step 5: Practical Settings to Start With

Here’s a quick cheat list:

Portraits – f/2.8, 1/250, ISO 100–400
Landscapes – f/8, 1/125, ISO 100
Indoor photos – f/2.8, 1/125, ISO 800–1600
Kids running – f/4, 1/1000, ISO as needed

The Fastest Way to Learn Manual Mode

Take 10–15 photos of the same subject changing just one setting at a time.
This forces your brain to see what each decision actually does.

It works every time.

Ready to learn properly?

If you want clear, confidence-building teaching without jargon, take a look at:

👉 PHARTED Photography Courses
👉 Adult Workshops
👉 1:1 Tuition

You don’t need luck to understand your camera — just the right teaching.

Click here to see what photography courses are available.

Life in a War Zone - Ukraine

This is a documentary photography and film project about how the Ukrainians are managing to live in a war zone.

Life in a War Zone Title Cover

During the month of August I visited Kyiv and spent some time also in Lviv, exploring what life is like for ordinary Ukrainians living under the constant threat of war, bombs, drones and missiles coming from the sky, directed by the Russian army.

The project is not full of sensationalism and is more grounded in the everyday, looking at how the Ukrainian people are coping during war time.

Dive in and take a look at the work by clicking this button…

Woodland Wedding Photography

Woodland Wedding Unstaged Documentary Photography UK

Wedding Photography Portfolio:

Ana and Joe booked me to photography their wedding in the woods, somewhere between Stoke on Trent and Manchester, in a secluded setting, which involves a ten minute walk from the car park, sometimes wading through stinging nettles and Brambles.

A secluded wedding celebration with confetti in the woods with Ana & Joe

Here’s a collection of my favourite photographs from one of the coolest and most unique weddings I’ve had the privilege to be booked for my photography style.

My style of photography:

I always shoot with a more documentary storytelling manner. You’ll see from this collection how posing isn’t required because I know how to make photographs of your wedding that tells the story of your day with vibrant colours, artistic flair and meaningful moments.


Personal and small wedding…

Ana & Joe invited only their favourite and most closest family and friends and then held their reception in their back garden at home in Stoke on Trent. They hired a marquee and decorated it so beautifully and with their own personal touches, the wedding became their very own creation without the influence of the corporate wedding world.

They all had the best time, playing music (they’re a group of musicians), drank plenty and ate like Kings and Queens with their home made buffet.

Make an enquiry in to my availability for your wedding date…

🎬 NEW VIDEO: Private Photography Workshops for Beginners and intermediate photographers (Now Booking Across the UK).

So, you’ve always fancied learning photography properly — but the idea of sitting in a stuffy classroom with twenty others makes you want to switch your camera off and go back to snapping sunsets on your phone.

Here’s your way out of that.

I’ve just launched a short film (scroll down to watch) that gives you a real taste of what it’s like to join one of my Private Photography Workshops. These are relaxed, fun, one-to-one (or two-to-one if you fancy bringing your best mate), and absolutely tailored to you — no jargon, no egos, no pressure.

Whether you’re retired, over 55, or simply want to finally get to grips with that camera you bought in lockdown, this is your chance to learn photography in a way that actually makes sense.

Why it works:

  • Personalised coaching – not a one-size-fits-all class

  • Go at your pace – no rush, no pressure, no silly questions

  • Bring a friend – learn together and make a proper day of it

  • Any location – I’m Midlands-based, but I’ll travel anywhere in the UK to teach you

From getting off auto mode to mastering your manual settings, these private sessions are a confidence boost in a camera bag. And yes, we’ll have a laugh while we do it — photography should be fun.

So, if you’ve been googling “photography courses for beginners in the Midlands” or “one-to-one photography tuition UK,” stop the scroll. You’ve found it.

📽️ Watch the film above, then get in touch to book your date.
Let’s turn that camera of yours into your new favourite creative outlet!